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Giacchino had wrote most of the music while editing the special, to make sure that each material had been completed.
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The co-executive producer of Marvel Studios, Brian Gay also agreed Giacchino's views on how the score should fit each tone as music was not only an emotional, but also a universal language. He would present musical excerpts during meeting in pre-production or ahead of filming to help convey the tone he was envisioning for what was being discussed. He also wrote the main theme prior filming, so that he could modify the theme during the process. Giacchino did not want to approach from the point of view, where he could write horror music for a sequence, but instead he approached on how he would feel, when "he becomes Jack or Elsa that moment", so that he could write music that feels like the true emotions, which is necessary for storytelling. Since, he is also taking the directorial debut, he felt on how the music could shape up, which he felt like "a Moon Knight talking to himself throughout the whole thing", where he had two versions: the composer and the director. Giacchino initially felt hesitant, as a composer, he collaborates with directors to discuss ideas about how the music being an integral part of the storytelling process, and acts as the best form of a story narration. In addition to directing, Giacchino also scored the music for the special.
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